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An about average issue, with mostly 'mild' fantasy stories (mild in the sense that there is minimal magic involved). Among those that stood out for me are the ones by Carrie Vaughn, Sean McMullen and Pip Coen.

An interesting set of stories in the issue, with the ones by Michael Libling, Matthew Hughes, Gregor Hartmann and Marie Vibbert.

This book got me hooked!

It delivers hard science fiction, pathos, beautifully dark comedy, a dig at every lazy sci-fi trope in existence, plenty of laughs, and is simply a must-read.

You know what you're getting into from the clever book titles. The humour is Jonathan Swift meets Red Dwarf. And the science is terrifyingly accurate...

...unfortunately!

Why do we make the choices we do? Social and family pressures, personal beliefs of our place in society and of how our lives are supposed to be. This is a book that lets you look inside the lives of one family, and gives you the sense of understanding that a bitter or reserved exterior can hide losses that no-one else knows about.

The Last Words of Madeleine Anderson by Helen Kitson is a post-modern tale of friendship and fate, where the truth is only a simulacrum of itself. It's probably literary, but it's far more accessible than that suggests.

This is a truly accessible modern classic that should be winning all the awards.

It's tense while cozy. It's suspenseful while relaxed.

And it's very, very good.

Really enjoyed this novella, like early Gibson but with contemporary themes as source material. Drones, social media, self driving cars, AI, etc,....
Hopefully there's more to come.

A better than average issue of F&SF, with one rather gruesome horror story by Max Firehammer. Other interesting stories are by Maricar Macario, Christopher Mark Rose and a moving story by Douglas Smith about the sacrifices to be made for saving the universe.

Full review at [ https://sohkamyung.github.io/reviews/magazines/FantasyAndScienceFiction/20230907-FSF201809.html ]

Fun, busy, and it was 3 years ago when I read it and I can't remember anything about the story, which is great because that means it's time to read it again!

Virginia teases the twist right from the off. But The Year We Lived is so finely written and enchanting that you lose yourself in the world and simply enjoy it, forgetting about this possible twist.

You'll quickly relax and let the sun-dappled fens, the reeds, woods, the description of the Hall and its inhabitants wash over you and pull you like a slow current into its 11th Century setting.

Perfectly paced smut with people who feel real enough to touch.

Multi-layered masterpiece, as grim as it should be, and eminently quotable in any climate change conversation.

A nail-biting introduction to South African magic and a nice bit of terror into the bargain. No reading this one on a dark stormy night unless you're bigger and hairier than the sorcerer!